por Santiago Dayd\u00ed Tolson<\/p>\n\n\n\n
:::\u00a0Desde su escondrijo de ermita\u00f1o nuestro paguro entrega su columna mensual, la \u00faltima de este a\u00f1o.<\/em><\/p>\n\n\n\n <\/p>\n\n\n\n Del silencio dice Thomas Hardy en su novela Far from the Maddening Crowd, <\/em>que a veces tiene el remarcable poder de mostrarse c\u00f3mo el alma divagante del sentimiento y que c\u00f3mo tal impresiona m\u00e1s que el discurso. De la misma manera, afirma, decir poco a menudo expresa m\u00e1s que hablar mucho.(\u201cSilence has sometimes a remarkable power of showing itself as the disembodied soul of feeling wandering without its carcass, and it is then more impressive than speech. In the same way, to say a little is often to tell more than to say a great deal.\u201d Hardy Far\u2026<\/em>)<\/p>\n\n\n\n Aunque en la novela el silencio se refiere a la muda comunicaci\u00f3n de un sentimiento amoroso, vale el comentario para todo silencio voluntario, sobre todo aquello de decir m\u00e1s diciendo menos. Tiene, en efecto, ese poder comunicativo el guardar silencio.<\/p>\n\n\n\n Lecci\u00f3n \u00e9sta del sabio escritor experimentado para escritores encandilados por la riqueza aparente del lenguaje de las ret\u00f3ricas profusas. Callar es, a veces, la forma m\u00e1s adecuada y efectiva de expresarse. <\/p>\n\n\n\n Escribir entre l\u00edneas para una lectura entre l\u00edneas pareciera ser una forma de aprovechar ese \u201cremarcable poder\u201d del silencio, del decir lo menos posible.<\/p>\n","protected":false},"excerpt":{"rendered":" por Santiago Dayd\u00ed Tolson :::\u00a0Desde su escondrijo de ermita\u00f1o nuestro paguro entrega su columna mensual, la \u00faltima de este a\u00f1o. Del silencio dice…<\/p>\n","protected":false},"author":3,"featured_media":21487,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[311,248,209],"tags":[331,244,228,162,221],"coauthors":[312],"class_list":["post-21276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-columna-caracol-y-paguro","category-ensayo","category-revista","tag-cultura","tag-destacado","tag-ensayo","tag-escritura","tag-literatura"],"jetpack_featured_media_url":"https:\/\/letrasenlafrontera.org\/wp-content\/uploads\/2025\/12\/unnamed.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/letrasenlafrontera.org\/index.php\/wp-json\/wp\/v2\/posts\/21276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrasenlafrontera.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrasenlafrontera.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrasenlafrontera.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/letrasenlafrontera.org\/index.php\/wp-json\/wp\/v2\/comments?post=21276"}],"version-history":[{"count":4,"href":"https:\/\/letrasenlafrontera.org\/index.php\/wp-json\/wp\/v2\/posts\/21276\/revisions"}],"predecessor-version":[{"id":21439,"href":"https:\/\/letrasenlafrontera.org\/index.php\/wp-json\/wp\/v2\/posts\/21276\/revisions\/21439"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/letrasenlafrontera.org\/index.php\/wp-json\/wp\/v2\/media\/21487"}],"wp:attachment":[{"href":"https:\/\/letrasenlafrontera.org\/index.php\/wp-json\/wp\/v2\/media?parent=21276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrasenlafrontera.org\/index.php\/wp-json\/wp\/v2\/categories?post=21276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrasenlafrontera.org\/index.php\/wp-json\/wp\/v2\/tags?post=21276"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/letrasenlafrontera.org\/index.php\/wp-json\/wp\/v2\/coauthors?post=21276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}